When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
A humble businessman with a buried past seeks justice when his daughter is killed in an act of terrorism. A cat-and-mouse conflict ensues with a government official, whose past may hold clues to the killers' identities.
After the Kingsman headquarters are blown up by a psychotic criminal named Poppy Adams. The surviving agents find their way to an allied secret organisation based in Kentucky, named Statesman. The two agencies must now work together in order to save the world and take down the so called 'Golden Circle'. Written by
The non-field agents in the Kingsman and Statesman organizations have codenames that are outliers within the naming scheme. In the Kingsmen, Arthur, Galahad and Lancelot are Knights of the Round Table, while Merlin is not. In the Statesmen, Whiskey, Tequila and Champagne are alcoholic beverages, while Ginger Ale is not. See more »
In the opening car chase sequence, the vehicles are shown driving on the right, as if in continental Europe, when they are supposedly close to Kingsman's tailor shop in Savile Row in London's West End. See more »
My name is Poppy Adams, CEO of the Golden Circle. We engage in an aggressive business strategy, invest in the latest technology and take strict, disciplinary action. I'm speaking to you today because our world leaders have let us all down, so we are coming out of the shadows and taking over. And to make sure no one gets in our way... Kingsman is crumpets!
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The words "A dope thanks to Samuel L. Jackson" appeared after the main credits See more »
It feels like the fifth film in a franchise struggling to maintain it's relevancy, not like the follow-up to what was perhaps the most promising new property in Hollywood.
It's essentially all a big joke played on those who took umbrage at the few select sexualised moments from the final act of the first film, a joke whereby everything is consistently ramped up to eleven regardless of its negative impact on the story in a standoffish move meant to further separate the apparent 'critics' from the so-called 'fans', a move that only successfully provides both categories with a much worse experience, because while I and many other 'fans' didn't mind (or at least excused) the passive, clearly satirical crude jests and occasional absurdity of the original picture, we certainly didn't want a follow-up based entirely around what would obviously be considered the weakest aspects of the piece - elements which were only mitigated by the joyous fun found in the brilliance of the other parts such as the subtle yet witty satire and the very well developed characters, pieces of the puzzle now missing; though it is at times passively entertaining, what we're left with is a fairly by-the-numbers 'save-the-world' plot and a string of odd action set- pieces seemingly incompetently put together, with abhorrent use of rampant speed- ramping making it literally look like someone hit the fast-forward button and haphazardly stitched-together short takes that are supposed to make some sequences look like one fluid shot but instead make them look like cheap cartoons - in his quest to ignore the naysayers, Vaughn disappointingly squanders all of the good-will he had built with his predecessor and bizarrely wipes the slate clean relatively early on, wasting time setting up a less interesting new set of characters instead of working with the better characters already expertly established at the end of the prior title, while also reintroducing a previously dead character (seen in the trailers), after making him an amnesiac no less, in a move that should be reserved only for a waning franchise at least five films in that's struggling to maintain it's relevancy, not for what was once perhaps the most promising new property in Hollywood. 6/10
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