Marie Antoinette (2006)

Avaliação/utilizador:

6,4/10   

Diretor:

Sofia Coppola

Roteirista (WGA):

Sofia Coppola (written by)

Data de Lançamento:

20 Outubro 2006 (USA)

Gênero:

Biografia | Drama | Histórico

Chamada:

Let Them Eat Cake

Argumento:

The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.

Plot Keywords:

Marie Antoinette | Queen | France | Versailles | Austria

Prêmios:

Won Oscar. Another 6 wins & 9 nominations

Comentários dos utilizadores:

Gidget Goes to Versailles

Elenco

Kirsten Dunst	...	Marie Antoinette
Jason Schwartzman	...	Louis XVI
Judy Davis	...	Comtesse de Noailles
Rip Torn	...	Louis XV
Rose Byrne	...	Duchesse de Polignac
Asia Argento	...	Comtesse du Barry
Molly Shannon	...	Aunt Victoire
Shirley Henderson	...	Aunt Sophie
Danny Huston	...	Emperor Joseph
Marianne Faithfull	...	Maria Teresa
Mary Nighy	...	Princesse Lamballe
Sebastian Armesto	...	Comte de Provence
Jamie Dornan	...	Count Fersen
Aurore Clément	...	Duchesse de Char
Guillaume Gallienne	...	Vergennes

Conhecido como:

Marie Antoinette (France)

MPAA:

Rated PG-13 for sexual content, partial nudity and innuendo.

Duração:

123 min

País:

USA | France | Japan

Língua:

Francês | Inglês

Cor:

Cor

Aspect Ratio:

1,85 : 1

Som:

DTS | SDDS | Dolby Digital

Certificação:

Netherlands:AL | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | USA:PG-13 | Ireland:12A | Finland:S | UK:12A | France:U | Canada:G (Québec) | Canada:PG (British Columbia/Ontario) | Germany:o.Al. | Italy:T | Philippines:R-13 | Sweden:Btl | Hong Kong:IIA | Portugal:M/12 | Argentina:Atp | Brazil:14 | Singapore:PG | Australia:PG | South Korea:15 | Taiwan:PG-12 | Peru:PT

Locais de filmagem:

Basildon Park, Lower Basildon, Berkshire, England, UK

Companhia :

Columbia Pictures Corporation

Pegadinha:

Sofia Coppola had Spanish footwear designer Manolo Blahnik create hundreds of specially made shoes for the film.

Goofs:

Continuidade: When the royal family leave the palace for the final time Marie Antoinette is looking out of the carriage window as it passes the center of the gardens. However, after she delivers her final line to Louis XVI the camera cuts back to the view out of the carriage window and it passes the center a second time.

Citações:

Duchesse de Char: [to her husband about an invitation from the queen] How can we be expected to live in a place if are not certain about our position?

Conexões:

Referido em The 79th Annual Academy Awards (2007) (TV)

Tilha Sonora:

Jynweythek Ylow

Gidget Goes to Versailles

and when she gets there, she gets bored, gossips, reads Rousseau, and has beach-blanket pot parties in Amadeus outfits. I did like the music, there is one inspired masked ball and a good "watch the sun rise" scene - the strength of this film is its connection to high school culture, seen through the eyes of a sweet, utterly conventional and finally boring teenage girl, projected from the California suburbs onto 18th century France. This is obviously also the film's weakness: this movie is a beautiful, expensive still life that knows nothing at all about French history, Europe, the Revolution, the Bourbons, how the ancien regime worked, how incompetent wars and not Marie Antoinette's Imelda-Marcos-like shoe fetish ran up the debt, about the conflict in North America with England and Spain, about how leading members of French government actually had brains - the films displays a nitwit, decadent, wig-loving, golden-furniture France as though seen by a France-hater in the Bush administration. As my brother pointed out, the movie also blew the subject of a potentially great movie, which is Marie Antoinette's inspired, sometimes brilliant defense of herself at her later trial. Trying to learn about what happened to the French court from this film is like trying to learn about American corporate culture by watching J.R Ewing's 30 second business deals at the Cattlemen's Club on Dallas. Well sure, politics wasn't the subject of the movie, but why is the "chick stuff" buried in diamonds and champagne? That makes these women seem way less tough and intelligent than they actually were in the bloody contact sport of French court politics. As an American watching this in Paris I was struck by the film's lack of historical, political, and cultural sophistication, in which Dunst is in every single frame and it's all one gigantic royal slumber party until the peasants show up in an illiterate wordless mass baying for bread and blood and shaking their satanic harvesting tools. Ouch: The film makes the most sense as a weird allegory of Hollywood inbreeding.