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Brokeback Mountain (2005)
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Visão geral
Avaliação/utilizador:
Diretor:
Escritores (WGA):
Data de Lançamento:
16 Dezembro 2005 (USA)
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Chamada:
Love Is A Force Of Nature
Argumento:
Based on the 'E. Annie Proulx' story about a forbidden and secretive relationship between two cowboys and their lives over the years. full summary | add synopsis
Prêmios:
Won 3 Oscars.
Another 78 wins
&
64 nominations
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Comentários dos utilizadores:
Powerful, Numbing
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Elenco
(Revisão de Elenco)| Heath Ledger | ... | Ennis Del Mar | |
| Jake Gyllenhaal | ... | Jack Twist | |
| Randy Quaid | ... | Joe Aguirre | |
| Valerie Planche | ... | Waitress | |
| David Trimble | ... | Basque | |
| Victor Reyes | ... | Chilean Sheepherder #1 | |
| Lachlan Mackintosh | ... | Chilean Sheepherder #2 | |
| Michelle Williams | ... | Alma | |
| Larry Reese | ... | Jolly Minister | |
| Marty Antonini | ... | Timmy | |
| Tom Carey | ... | Rodeo Clown | |
| Dan McDougall | ... | Bartender #1 | |
| Don Bland | ... | Biker #1 | |
| Steven Cree Molison | ... | Biker #2 | |
| Anne Hathaway | ... | Lureen Newsome |
Mais Detalhes
Conhecido como:
Souvenirs de Brokeback Mountain (Canada: French title)
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MPAA:
Rated R for sexuality, nudity, language and some violence.
Parents Guide:
Duração:
134 min
Língua:
Cor:
Aspect Ratio:
1,85 : 1 mais
Som:
Certificação:
UK:15 |
Norway:11 |
Finland:K-11 |
Australia:M |
Canada:13+ (Québec) |
Switzerland:14 (canton of Geneva) |
Switzerland:14 (canton of Vaud) |
Sweden:7 |
Hong Kong:IIB |
Netherlands:12 |
Canada:14A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) |
Singapore:R21 |
Spain:13 |
Portugal:M/12 |
Malaysia:(Banned) |
Japan:PG-12 |
France:U |
Brazil:16 |
Taiwan:R-12 |
Germany:12 |
Belgium:KT |
Chile:14 |
Poland:18 |
India:A |
USA:R (certificate #41600) |
Ireland:16 (theatrical rating) |
Ireland:18 (video rating) |
South Korea:15 (uncut) |
China:(Banned) |
Iceland:12 |
Argentina:16 |
Philippines:R-18 |
New Zealand:M |
Denmark:11 |
Venezuela:PG-13
Locais de filmagem:
Companhia :
Fatos engraçados
Pegadinha:
According to an interview that Heath Ledger gave to the Philadelphia Inquirer's Steven Rea, there was a sequence that was filmed for the movie in which Jack and Ennis help some hippies get their car out of a river. According to Ledger, the scene took three days to shoot and was disliked almost immediately by everyone involved. The scene was written by James Schamus as an attempt to show Jack and Ennis in a heroic situation, but it does not appear in Annie Proulx's original short story, the published screenplay, or the final cut of the movie.
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Goofs:
Continuidade: When Aguirre comes to tell Jack about his sick uncle, Jack has the ax in his right hand. When the conversation is over and Aguirre rides away, the ax is in Jack's left hand.
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Citações:
[first lines]
Joe Aguirre: You pair of deuces lookin' for work, I suggest you get your scrawny asses in here pronto.
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Joe Aguirre: You pair of deuces lookin' for work, I suggest you get your scrawny asses in here pronto.
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Filme Connections:
Referido em In the Loop (2009)
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Tilha Sonora:
Battle Hymn of the Republic
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Perguntas Mais Freqüentes
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I just saw this at the Toronto International Film Festival (TIFF) to a packed house (with Ang Lee present for today's screening). And I have to say, it absolutely transfixed me and was worth the watch. Out of 24 movies I screened at the TIFF this year, this was the only one I rated a 10/10! Three things really stood out for me making this a stand-out of a film:
1) HONESTY: Heath Ledger and Jake Gyllenhaal really pulled this off. I wasn't expecting performances so real and nuanced, and was warmly surprised. Kudos, also, to Mr. Lee for making such a poignant and refreshingly honest film!
2) STORY: Great story-telling. In fact you're not actually being *told* a story. The story unfolds and the viewer watches what happens pulling you in. What a great experience! In fact, I want to experience this story again -- I'm going to look for the short story.
3) NUMBING: In a thought-provoking kind of way. I left the theatre digesting the story even as I sat on the streetcar thinking about the characters. I cared for them, and wondered what could/might happen to them after the screen went black. My mind was playing out scenarios and in that sense, it was numbing, in a thought-provoking, emotionally heavy way.
This is powerful cinema and is definitely worth checking out. It's the best Ang Lee film I've seen to date (I've seen most, but not all of his feature films).