Basic Instinct (1992)

Avaliação/utilizador:

6,8/10   

Diretor:

Paul Verhoeven

Roteirista (WGA):

Joe Eszterhas (written by)

Data de Lançamento:

20 Março 1992 (USA)

Gênero:

Mistério | Romance | Suspense

Chamada:

A brutal murder. A brilliant killer. A cop who can't resist the danger.

Argumento:

A police detective is in charge of the investigation of a brutal murder, in which a beautiful and seductive woman could be involved.

Plot Keywords:

Detective | Suspect | Murder | Police | Novelist

Prêmios:

Nominated for 2 Oscars. Another 5 wins & 16 nominations

Comentários dos utilizadores:

Thriller which achieves screen magic of the golden age.

US TV Schedule:

Thur. Nov. 19

12:20 AM

MAX

Elenco

Michael Douglas	...	Detective Nick Curran
Sharon Stone	...	Catherine Tramell
George Dzundza	...	Gus
Jeanne Tripplehorn	...	Dr. Beth Garner
Denis Arndt	...	Lieutenant Walker
Leilani Sarelle	...	Roxy
Bruce A. Young	...	Andrews
Chelcie Ross	...	Captain Talcott
Dorothy Malone	...	Hazel Dobkins
Wayne Knight	...	John Correli
Daniel von Bargen	...	Lieutenant Nilsen (as Daniel Von Bargen)
Stephen Tobolowsky	...	Dr. Lamott
Benjamin Mouton	...	Harrigan
Jack McGee	...	Sheriff
Bill Cable	...	Johnny Boz

Conhecido como:

Basic Instinct (France)
Ice Cold Desire (Singapore: English title) (censored version)
Love Hurts (USA) (working title)

MPAA:

Rated R for strong violence and sensuality, and for drug use and language.

Duração:

127 min | USA:128 min (unrated version)

País:

USA | France

Língua:

Inglês

Cor:

Cor (Technicolor)

Aspect Ratio:

2,35 : 1

Som:

Dolby SR | LC-Concept Digital Sound (France)

Certificação:

Malaysia:(Banned) | Canada:18 (Nova Scotia) (re-rating) (2001) | Canada:R (Nova Scotia) (original rating) | Canada:R (Manitoba/Ontario) (also director's cut) (Canadian Home Video rating) | Singapore:PG (video rating) (heavily cut) | USA:R (#31380) | Singapore:R21 (re-rating) (2007) | Finland:K-16 (video rating) (cut) (1992) | Finland:K-18 (theatrical rating) (1992) | Singapore:R(A) (cut) (1992) | Hungary:18 | India:A | Brazil:18 | Israel:18 (video rating) | Israel:X (original rating) | Philippines:R-18 | Norway:15 (DVD rating) | Argentina:18 | Australia:R | Belgium:KNT | Canada:18+ (Quebec) (also director's cut) | Chile:18 | France:-12 (re-rating) | France:-16 (original rating) | Germany:16 | Hong Kong:III | Ireland:18 | Italy:VM14 | Netherlands:16 | New Zealand:R18 | Norway:18 | Peru:18 | Portugal:M/18 | South Korea:18 | Spain:18 | Sweden:15 | UK:18 | USA:Unrated (director's cut) | Mexico:C | Iceland:16

Locais de filmagem:

1158 Montgomery Street, Telegraph Hill, San Francisco, California, USA

Companhia :

Carolco Pictures

Pegadinha:

According to Sharon Stone, director Paul Verhoeven asked her to remove her underwear for the leg-crossing scene, as he said they were too bright and reflected at the camera. Stone agreed to do so under the assumption that her genitals weren't visible. It was only at an early preview that Stone discovered Verhoeven chose to use this specific shot. Stone was mainly cross with Verhoeven for not discussing the matter with her beforehand, but decided to let the scene go without changes, as she felt this conformed with her movie character. However, Verhoeven's version of the conflict is that he told Stone beforehand about the leg-crossing shot, as it was important for showing Catherine Tramell's free-spirited nature and her constant drive to toy with people. Stone was reportedly excited about the idea and shot the scene. However, during the early preview, her agents supposedly disproved of the scene, fearing it would harm her future career. According to Verhoeven, Stone radically changed her mind about the shot and demanded that he remove it, which he ultimately refused.

Goofs:

Erros factuais: When Nick calls up Hazel Dobkin's police record it states that she was released from San Quentin in 1965. San Quentin has been men only since 1934.

Citações:

Nick: I'm in love with you already, but I'll nail you anyway.

Conexões:

Referido em "Psych: Scary Sherry: Bianca's Toast (#1.15)" (2007)

Tilha Sonora:

Movin' On Up

Thriller which achieves screen magic of the golden age.

Paul Verhoeven has created a masterwork from Joe Eszterhas' controversial script. Several sex scenes become a leitmotif, as the participants appear to pummel, rather than love, one another with their nether parts. But the most rugged and the most erotic scene occurs between Detective Nick Curran, Michael Douglas, and his colleague, Beth Garner, portrayed by Jeanne Tripplehorn. He throws her against a wall and then against the back of a chesterfield. That is only the foreplay. In this film sex is violence, and that is Verhoeven's theme.

But there is more. Sharon Stone as Catherine Tramell has a beautiful blonde form in that Beach Boy / California girl manner. She plays her 'flashing' scene in the police interrogation room with wit and a touch of class. Throughout the film she is arch, intelligent, electric. Her foil, Nick Curran, a troubled detective, realizes she might be a murderer, but finds her personality and her allure, irresistible. Douglas' performance is driven, masculine, affecting ... yet he would be well advised to keep his trousers on henceforth, for his sagging bottom is simply too comical.

There are several echoes of Alfred Hitchcock's Vertigo (58). Both pictures have as a setting the picturesque San Francisco area. Jerry Goldsmith's music recalls Bernard Herrmann's symphonic score. The stairwell in Curran's apartment building resembles the vertiginous staircase of the Mission bell tower. And as with Hitchcock the dialogue is often simultaneously risque and humorous, although more vulgar in keeping with the tenor of modern times.

Eszterhas' script is carefully crafted, and it does not cheat. Life proves ambiguous at many levels, and so does art. The mystery is dark; the action, including a car chase, thrills; and the locale continually shifts, from a cop station to Catherine's lovely seaside house to a colorful bar where Catherine's jealous female lover and Curran engage in a sensual battle for her charms.

Day, night, sun, rain, streets, highways, scenery, ocean, sex, emotion, confrontations, death ... the film envelops everything, perhaps even love. Here, Verhoeven, Eszterhas, Douglas, Stone, have achieved some screen magic of the past.